When I first saw "Throne Of Blood" as a teenager I was ill with a fever. I found the brooding atmosphere and the use of fog, very hypnotic and was never quite sure if this was down to my health or the way the film had been crafted. A recent viewing has established that this dream like quality of the film is down the the creative talents of it's great director.

Akira Kurosawa's 1957 retelling of Macbeth translates perfectly into 16th century feudal Japan. It retains much of the Shakespeare's brooding atmosphere and to this he adds formality and cultural intrigue. Acted in the classic Kabuki tradition, the central performances, particularly that of Toshiro Mifune, are superb. The black and white cinematography and the imposing production design, costume and violence all work to create a sinister and esoteric world (an attitude still held about Japan by the West, in the post war era).

For those unfamiliar with the plot, the story focuses on Washizu and Miki, two captains that have just successfully suppressed a rebellion for their warlord. While riding through "Cobweb Forest", they encounter an old woman who prophesies that Washizu will usurp castle, but that his reign will be brief and his throne soon will be occupied by Miki's son. The warriors laugh at these predictions, but the prophesy soon unfolds, aided by the scheming of Washizu wife Asaji, who has great ambitions for her husband.

Modern audiences may have to adjust their expectations, as "Throne Of Blood" is made in the "Noh" drama style which relies on visuals, expression and pacing to convey characters feelings and the underlying mood. But it is the cultural differences of Japanese cinema that make this film so engaging and atmospheric. The ending is legendary and a visual triumph. They used real arrows! "Throne Of Blood" is an example as to why cinema is one of the greatest art forms.

XoD.